In the article, The Gospel According to Spider-Man, Niall Richardson makes several comparisons between Christianity and Spider-Man the movie released in 2001. The purpose of the article is not to persuade one to watch Spider-Man the movie or to adopt a religion, but to understand the many similarities between Christianity and several characters within Spider-Man the movie. Several aspects of Christianity are featured in Spider-Man the movie, many of which are not obvious to a first time viewer or one who is not well informed on Christianity’s teachings.
The first comparison Richardson makes revolves around a few scenes in the movie that feature Spider-Man, the Green Goblin, and Spider-Man’s Aunt May. In the first scene mention, Spider-Man is captured, physically paralyzed, and forced to listen to the Green Goblin’s ultimatum. “Like Christ, Spider-Man is tempted by a devil (the Green Goblin) who, in one scene, elevates him above the kingdom (New York City) and claims to be able to offer Spider-Man all earthly delights if he will join forces with him” (Richardson 694). The next scene Richardson compares is the scene when Aunt May is at her bedside reciting the Lord’s Prayer. The Green Goblin, in an attempt to frighten all those that Spider-Man is close to, crashes into her bedroom. Aunt May is a deeply religious person and believes the Green Goblin is an incarnation of the Devil. Richardson states that this scene is somewhat odd because it is the only scene that the Green Goblin does not physically harm the individual he is confronting or trying to frighten. Richardson describes that Aunt May “represents the Christian theology of meekness and humility, is contrasted with the Goblin, who seeks power and self-exaltation” (Richardson 694).
The next major comparison revolves around the character traits of the superhero and the villain. In most superhero stories, the superhero’s masculinity is tested, and if successful, is rewarded with a prize usually an object of great desire such as a princess. One example of this theme is Superman. His “princess” is clearly Lois Lane. He is tested with obstacles created by villains that are meant to harm the general population. “Spider-Man, in contrast to the traditional superhero narrative, offers a more complex examination of the superhero metaphor and its relation to Christianity” (Richardson 696). Spider-Man is a bit different from superheroes such as Superman. In the beginning, Spider-Man is not all for the greater good. He is portrayed as selfish and only looking out for himself. This is depicted when he ignores a fleeing criminal, the same criminal that later kills Spider-Man’s uncle. Spider-Man must face great regret and depression because he could have stopped the criminal and therefore save his uncle’s life.
This leads to the next major comparison. Uncle Ben represented an individual with great religious belief, much like his wife. “Ben’s motto—‘‘With great power comes great responsibility’’—summarizes the Biblical motif of Christ, who did not use his power for self-exaltation but for the salvation of mankind” (Richardson 698). The idea that power should be used for the greater good and not for personal gain is one of the main teachings of Christianity. Guilt and shame are also depicted in the film. “Spider-Man’s desire to protect the innocent does not stem from an innate Superman goodness but from his need to atone for the shame of his masculine desires” (Richardson 700). The Green Goblin once again forces Spider-Man to face a dilemma. Green Goblin holds Mary Jane, Spider-Man’s crush, and a school bus of children off of a bridge. Richardson states that Mary Jane represents the desires of the flesh, while the school bus full of children represents the greater good of Christianity. The Green Goblin also quotes the scriptures by saying “suffer the little children,” in an attempt to get the point across to the audience if they have not already understood this comparison. Spider-Man chooses to try and save both which represents the Christian strain between the body and the teachings. “Like Christ, Spider-Man renounces the physical world and all of its pleasures in order to use his body as a vehicle for the expression of Christian ethics” (Richardson 701). In the end, Spider-Man rejects Mary Jane and tells her he can only be here for her and protect her.
In conclusion, Niall Richardson has made several observations and comparisons between Christianity and Spider-Man the movie. In his article, The Gospel According to Spider-Man, these comparisons are explained with several references to scenes in the movie allowing the reader to understand the purpose even if they have not seen the movie or been informed of Christianity. According to Richardson, “Spider-Man is a modern-day morality play addressing the tensions of Christianity: shame for the lustful human flesh, the attempt to translate shame into manageable guilt, and the eventual transcendence of this shamed body through the foregrounding of the Word made flesh” (Richardson 702).
References
Richardson, Niall. (2004). The Gospel According to Spider-Man. New York:
Blackwell Publishing. Volume 37, issue 4. p. 694 – 703.
